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Speakola

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Robin Williams (James deMonaco & Gary Nadeau): 'Make your life spectacular', Jack — 1996

February 15, 2024

The premise of this film is that the Jack character is a rapidly aging child, who is graduating the fifth grade

I don't have very much time these days, so I'll make it quick Like my life. As we come to the end of this phase of our life, we find ourselves trying to remember the good times, and trying to forget the bad times. And we find ourselves thinking about the future. We start to worry, thinking, what am I going to do? Where am I going to be in 10 years? But I say to you, 'Hey, look at me, please, don't worry so much.' Because in the end, none of us have very long on this earth. Life is fleeting. And if you're ever distressed, cast your eyes to the summer sky, when the stars are strung across the velvety night. And when a shooting stars streaks through the blackness, turning night into day. Make a wish. Think of me. Make your life spectacular. I know I did. I made it, Mom. I'm a grownup. Thank you.

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In FILM 2 Tags ROBIN WILLIAMS, JACK, 1996, GRADUATION SPEECH, TRANSCRIPT, INSPIRATION, SELF HELP
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Alec Baldwin (by Tina Fey): 'The greatest eulogy of all time', 30 Rock s7e8 - 2012

May 31, 2023

aired 6 June 2012

Friends. Last night when I sat down to write a speech worthy of my mother's 87 years, I thought I was facing an impossible task until I realised that her constant crushing disapproval was a gift. The greatest gift a mother ever gave a son. My lifelong quest to please that woman is what made me the man I am today.

The man who has been the centrefold of Fortune magazine no fewer than three times.

The man who in 1984 wore a tuxedo so well, he broke up the Gogos.

The man who last night wrote, and today will deliver the greatest eulogy of all time …

[cue music]

Dublin 1852. The ship bobs in the lee tide of the icy Irish Sea, her name … Ariel

[Sentence in Gaelic]

Tracey Jordan: Today we are all Irish!

[Italian accordian and accent] And the plumber says, ‘I don't know, but that's a pretty big-a pizza.’

Kenneth: Life is for the living!

[Playing Danny Boy on the flute]

But there's a truth in the centre of that.

Thank you Kermit, for explaining the afterlife to us. Kermit: Ah, Listen, Jack, thank you for being the man we all aspire to be

Ladies and gentlemen, Sir Paul McCartney and the Harlem Boys choir.

And though the falling snow would erase her footprints, it could never erase our memory of her. I love you, mother. End of eulogy.

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In TELEVISION Tags ALEC BALDWIN, TINA FEY, JACK DONAGHY, EULOGY, SCREEN EULOGY, FUNNY EULOGY, THE GREATEST FUNERAL SPEECH OF ALL TIME, TRANSCRIPT, 30 ROCK, COMEDY, TV COMEDY
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Jeremy Strong (by Jesse Armstrong) 'He made life happen', Kendall's funeral for Logan Roy, Succession S4E9 - 2023

May 30, 2023

aired 23 May 2023, USA

Yeah, I don't know how much I know, but … I knew my father.

Y'know, I've said it, I said it, and it is true what I said, what my uncle said, yeah, my father was a ... a brute. He was, he was tough. But also he built and he acted.

And there are many people out there who will always tell you no. And there are a thousand reasons ... I mean, there always are ... a thousand reasons not to, to not act. But he was never one of those. He had, you kinow, a vitality, of force that could hurt, and it did. But my God, the sheer ... I mean, look at it. The lives and the livings and the things that he made.

And the money. Yeah, the money. The lifeblood, the oxygen of this wonderful civilization that we have built from the mud, the money, the corpuscules of life gushing around this nation, this world filling men and women all around with desire, quickening the ambition to own, and make, and trade, and profit, and build, and improve. I mean, great geysers of life, he willed. Of buildings, he made stand. Of ships, steel holes, amusements, newspapers, shows and films and life bloody complicated life!

He made life happen. He made me and my three siblings, sorry. And yes, he had a terrible force to him and a fierce ambition that could push you to the side, but it was only that, that human thing, the will to be and to be seen and to do.

And now people might want to tend and prune the memory of him. To denigrate that force, that magnificent, awful force of him. But my God, I hope it's in me. Because if we can't match his vim, then God knows the future will be sluggish and grey. Now, there wasn't a room from the grandest state room where his advice was sought to the lowest house where his news played, where he couldn't walk and wasn't comfortable.

He was comfortable with this world and he knew it. He knew it and he liked it. And I say amen to that.

Source: https://www.youtube.com/watch?v=rafVWNsevH...

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In TELEVISION Tags JEREMY STRONG, SUCCESSION, LOGAN'S FUNERAL, LOGAN ROY, FICTIONAL EULOGY, TRANSCRIPT
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Sarah Snook (by Jesse Armstrong) : 'So goodbye, my dear dear world of a father', Shiv's eulogy to Logan Roy, Succession S4E9 - 2023

May 30, 2023

to air 22 May 2023

So the way things have gone today, we haven't had a chance to ... and it's okay, Rome, and thank you, Ken. That was, yeah, but we haven't said everything and so I'm just going to ... we will be done soon. Sorry.

[Sigh] My father, my father,. We used to play outside his office. And I think because we wanted him to hear, and he would come out and he was so terrifying. He was, oh God, he was so terrifying to us! He'd come out and he'd yell at us to be quiet. This 'silence!' What he was doing in there was so important. We couldn't conceive of what it was. Yknow, presidents and kings and queens and diplomats and prime ministers and world bankers, and I don't know. Yeah.

He kept us outside. But he kept everyone outside. Yeah. When he let you in, when the sun shine, it was warm. Yeah, it was really warm in the light. But it was hard to be, his daughter. I can't not, y'know, he was, it was, oh, he was hard on women. He couldn't fit a whole woman in his head. But he did, okay. You did, okay dad. We're all here and we're doing okay. We're doing okay.

So goodbye my dear dear world of a father.

Source: https://www.youtube.com/watch?v=kcfz4vYlch...

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In TELEVISION Tags SUCCESSION, SARAH SNOOK, SHIV'S EULOGY, SHIV ROY, LOGAN ROY, LOGAN'S FUNERAL, EULOGY, TRANSCRIPT, JESSE ARMSTRONG
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Jack Black (by Mike White): 'We roll tonight to the guitar bite!' Motivational speech to band - 2003

November 4, 2022

Released 20 November 2003

So get your rest, no late night parties drinking tequila and trying to get lucky. Chances like this do not come along every day. Now you played hard in here, people, and I am proud of every last stinking one of you. So let's just give this everything we got. We may fall on our faces, but if we do, we will fall with dignity! With a guitar in our hands, and rock in our hearts! And in the words of AC/DC: "We roll tonight to the guitar bite, and for those about to rock, I salute you."

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In FILM 2 Tags JACK BLACK, MIKE WHITE, SCHOOL OF ROCK, TRANSCRIPT, ACDC, PRE GIG SPEECH, MOTIVATIONAL, FUNNY, KIDS, MUSIC, MOVIE, 2000s, 2003
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Tom Hanks (by Robert Rodat): 'That's my mission', Saving Private Ryan - 1998

February 23, 2021

Released 24 July 1998, USA

Mike, what’s the pool on me up to right now? What’s it up to? What is it? 300 dollars? Is that it? 300? I’m a schoolteacher. I teach English composition. In this little town called Addley, Pennsylvania. The last 11 years I’ve been at Thomas Alva Edison High School. I was a coach of the baseball team in the springtime. Back home, I tell people what I do for a living and they think, well, now that figures, but over here, it’s a big, a big mystery. So I guess I’ve changed some. Sometimes I wonder if I’ve changed so much, my wife is even gonna recognize me whenever it is I get back to her. And how I’ll ever be able to tell her about days like today. Ah, Ryan… I don’t know anything about Ryan, I don’t care. The man means nothing to me, he’s just a name. But if, you know, if going to Ramelle, and finding him so he can go home, if that earns me the right to get back to my wife, well then, then that’s my mission.

Source: http://www.monologuedb.com/dramatic-male-m...

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In FILM 2 Tags TOM HANKS, TRANSCRIPT, SAVING PRIVATE RYAN, MONOLOGUE, WW2
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Brad Pitt (by Jim Uhls and Chuck Palahniuk): 'The first rule of Fight Club is: you do not talk about Fight Club', Fight Club - 1999

February 23, 2021

released 15 October 1999, USA


Welcome to Fight Club. The first rule of Fight Club is: you do not talk about Fight Club. The second rule of Fight Club is: you DO NOT talk about Fight Club! Third rule of Fight Club: if someone yells “stop!”, goes limp, or taps out, the fight is over. Fourth rule: only two guys to a fight. Fifth rule: one fight at a time, fellas. Sixth rule: the fights are bare knuckle. No shirt, no shoes, no weapons. Seventh rule: fights will go on as long as they have to. And the eighth and final rule: if this is your first time at Fight Club, you have to fight.

Man, I see in fight club the strongest and smartest men who’ve ever lived. I see all this potential, and I see squandering. God damn it, an entire generation pumping gas, waiting tables; slaves with white collars. Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don’t need. We’re the middle children of history, man. No purpose or place. We have no Great War. No Great Depression. Our Great War’s a spiritual war… our Great Depression is our lives. We’ve all been raised on television to believe that one day we’d all be millionaires, and movie gods, and rock stars. But we won’t. And we’re slowly learning that fact. And we’re very, very pissed off.


Source: http://www.monologuedb.com/dramatic-male-m...

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In FILM 2 Tags BRAD PITT, FIGHT CLUB, TRANSCRIPT, TYLER DURDEN, DISILLUSIONMENT, ANGER, CHUCK PALAHNIUK, MOVIE, FILM
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Don Hertzfeldt: 'Bill lives and lives, forever', 'It's Such a Beuatiful Day' - 2012

February 23, 2021

Released 21 May 2016, Japan

He will spend hundreds of years traveling the world, learning all there is to know. He will learn every language. He will read every book. He will know every land. He will spend thousands of years creating stunning works of art. He will learn to meditate to control pain, as wars will be fought and great loves found, and lost, and found, lost, and found, and found, and found, and memories built upon memories until life runs on an endless loop. He will father hundreds of thousands of children, whose own exponential offspring he’ll slowly lose track of through the years, whose millions of beautiful lives will all eventually be swept again from the earth. And still, Bill will continue. He will learn more about life than any being in history. But death will forever be a stranger to him. People will come and go, until names lose all meaning, until people lose all meaning and vanish entirely from the world. And still, Bill will live on. He will befriend the next inhabitants of the earth, beings of light who revere him as a god. And Bill will outlive them all. For millions and millions of years. Exploring, learning, living, until the earth is swallowed beneath his feet. Until the sun is long since gone. Until time loses all meaning, and the moment comes that he knows only the positions of the stars, and sees them whether his eyes are closed or open, until he forgets his name, and the place where he’d once come from. He lives, and he lives, until all of the lights go out.

Source: https://www.imdb.com/title/tt2396224/fullc...

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In FILM 2 Tags IT'S SUCH A BEAUTIFUL DAY, ANIMATION, DEATH, LIFE, TRANSCRIPT, DON HERTZFELDT, JAPAN
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Edward Norton (by David Benioff): 'F*ck you and this city and everyone in it', 25th Hour rant - 2003

February 23, 2021

released 10 January 2003, USA

Fuck the panhandlers grubbing for money and smiling at me behind my back
Fuck the squeegee men dirtying up the clean windshield of my car, get a fucking job
Fuck the Sikhs and the Pakistanis bombing down the avenues in decrepit cabs, curry steaming out their pores stinkin up my day, terrorist in fucking training, slow the fuck DOWN!
Fuck the Chelsea Boys with their waxed chests and pumped-up biceps, going down on each other in my parks and on my piers, jiggling their dicks on my CHANNEL 35!
Fuck the Korean grocers with their pyramids of overpriced fruit and their tulips and roses wrapped in plastic. Ten years in the country, still no speakee English!
Fuck the Russians in Brighton Beach mobster thugs sittin in cafes sippin tea in little glasses, sugar cubes between their teeth, wheelin’ and dealin’ and schemin’, GO BACK TO WHERE YOU FUCKIN CAME FROM!!
Fuck the black-hatted Hasidim strollin up and down 47th street in their dirty gabardine with their dandruff, sellin South African apartheid diamonds.
Fuck the Wall Street brokers, self-styled masters of the universe, Michael Douglas-Gordon Gekko wannabe motherfuckers figuring out new ways to rob hard working people blind. SEND THOSE ENRON ASSHOLES TO JAIL FOR FUCKING LIFE! You think Bush and Cheney didn’t know about that shit?? Give me a fuckin break!
Fuck the Puerto Ricans, twenty in a car swellin up the welfare rolls, paradin’ in the street, and don’t even get me started on the Dominicans, cause they make the Puerto Ricans look good.
Fuck the Benson Hurst Italians with their pomaded hair, their St. Anthony Medallions, swinggin’ their Jason Giambi Louisville Slugger baseball bats trying to audition for “The Sopranos”. Fuckin crack your fuckin head open!
Fuck the uptown brothers, they never pass the ball, they don’t want to play defense, they take five steps on every lay-up to the hoop, and they want to turn around and blame everything on the white man. Slavery ended 137 years ago. Move the fuck on!!
Fuck the corrupt cops with their anus-violating plungers and their 41 shots, standing behind a blue wall of silence. YOU BETRAY OUR TRUST!
Fuck the priests who put their hands down some innocent child’s pants.
FUCK OSAMA BIN LADEN, AL-QAEDA and the backward-ass cave dwelling fundamentalist assholes everywhere! And on the names of innocent thousands murdered, I pray you spend the rest of eternity with your 72 whores roasting in a jet-fueled fire in hell! You towel-headed camel jockeys can kiss my AMERICAN ASS!!
Fuck this whole city and everyone in it, let earthquakes crumble it, let the fires rage, let it burn to fucking ash and then let the waters rise and submerge those whole rat infested place.
No. Fuck you, you had it all and you threw it away, you dumbfuck. Fuck you.

Source: https://pesni.guru/text/edward-norton-fuck...

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In FILM Tags EDWARD NORTON, 25TH HOUR, RANT, NEW YORK CITY, TRANSCRIPT, FUCK YOU, SWEARING, ACTOR
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Karl Malden (by Bud Schulberg) : 'It’s making love of a buck, the cushy job more important than the love of man!', On the Waterfront - 1954

February 22, 2021

Released 22 June 1954, USA

Father Barry – I came down here to keep a promise. I gave Kayo my word that if he stood up to the mob I’d stand up with him. All the way. And now Kayo Dugan is dead. He was one of those fellas who had the gift of standing up but this time they fixed him oh they fixed him for good this time. Unless it was an accident like Big Mac says. Some people think the crucifixion only took place on Calvary. Well they’d better wise up. Taking Joey Doyle’s life to stop him from testifying is a crucifixion. And dropping a sling on Kayo Dugan because he was ready to spill his guts tomorrow – that’s a crucifixion. And every time the mob puts the puts the crusher on a good man, tries to stop him from doing his duty as a citizen? It’s a crucifixion. And anybody who sits around and lets it happen, keeps silent about something he knows has happened, shares the guilt of it just as much as the roman soldier who pierced the flesh of our lord to see if he was dead. Boys this is my church! And if you don’t think Christ is down here on the waterfront you’ve got another guess coming. Every morning when the hiring boss blows his whistle Jesus stands alongside you in the shape-up. He sees why some of you get picked and some of you get passed over. He sees the family men worrying about getting the rent and getting food in the house for the wife and the kids. He sees you selling your souls to the mob for a day’s pay. What does Christ think of the easy money boys who do none of the work and take all of the gravy? And how does he feel about the fellas who wear a hundred-and-fifty dollar suits and diamond rings on your union dues and your kickback money? And how does he, who spoke up without fear against every evil, feel about your silence? You want to know what’s wrong with our waterfront? It’s the love of a lousy buck. It’s making love of a buck, the cushy job more important than the love of man! It’s forgetting that every fella down here is your brother in Christ. But remember Christ is always with you. Christ is in the shape-up, he’s in the hatch, he’s in the union hall, he’s kneeling right here beside Dugan. And he’s saying to all of you: “if you do it to the least of mine you do it to me.” And what they did to Joey and what they did to Dugan they’re doing to you. And you, you, all of you! And only you, only you with God’s help have the power to knock ‘em out for good.

(Barry turns and looks at Kayo Dugan’s body.)

Okay, Kayo?

(Barry looks up at everyone.)

Amen.

Source: https://theseeingspace.wordpress.com/tag/o...

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In FILM Tags KARL MALDEN, ON THE WATERFRONT, ACTOR, MONOLOGUE, EULOGY, FICTION, TRANSCRIPT, MOB, MAFIA
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Martin Sheen (by Aaron Sorkin): ' What did I ever do to yours except praise his glory and praise his name', The West Wing, S2E22 Two Cathedrals, - 2001

February 9, 2021

aired 16 May 2001, USA

She bought her first new car and you hit her with a drunk driver. What, was that supposed to be funny? "You can't conceive, nor can I, the appalling strangeness of the mercy of God," says Graham Greene. I don't know who's ass he was kissing there 'cause I think you're just vindictive. What was Josh Lyman? A warning shot? That was my son. What did I ever do to yours except praise his glory and praise his name? There's a tropical storm that’s gaining speed and power. They say we haven't had a storm this bad since you took out the tender ship of mine last year in the North Atlantic last year... 68 crew. Do you know what a tender ship does? Fixes the other ships. Doesn't even carry guns. Floats around and fixes the other ships and delivers that mail. That's all it can do. Gratias tibi ago, domine. Yes, I lied. It was a sin. I've committed many sins. Have I displeased you, you feckless thug? 3.8 million new jobs, that wasn't good? Bailed out Mexico, increased foreign trade, 30 million new acres for conservation, put Mendoza on the bench, we're not fighting a war, I've raised three children...That's not enough to buy me out of the doghouse? Haec credam a deo pio? A deo iusto? A deo scito? Cruciatus in crucem! Tuus in terra servus nuntius fui officium perfeci. Cruciatus in crucem. Eas in crucem! You get Hoynes!


Latin translation: Am I to believe these things from a righteous God, a just God, a wise God? To hell with your punishments! I was your servant, your messenger on the earth; I did my duty.

Source: https://www.youtube.com/watch?v=dVgK5HKj3P...

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In TELEVISION Tags THE WEST WING, PRESIDENT BARTLETT, TWO CATHEDRALS, TRANSCRIPT, BARTLETT SHOUTS AT GOD, ALTIN
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Michael Douglas (by Stanley Weiser and Oliver Stone): 'Greed, for lack of a better word, is good', Teldar Paper speech, Wall Street - 1987

December 11, 2020

released 11 December 1987, USA

Well, I appreciate the opportunity you're giving me Mr. Cromwell as the single largest shareholder in Teldar Paper, to speak. Well, ladies and gentlemen we're not here to indulge in fantasy but in political and economic reality. America, America has become a second-rate power. Its trade deficit and its fiscal deficit are at nightmare proportions. Now, in the days of the free market when our country was a top industrial power, there was accountability to the stockholder. The Carnegies, the Mellons, the men that built this great industrial empire, made sure of it because it was their money at stake. Today, management has no stake in the company! All together, these men sitting up here own less than three percent of the company. And where does Mr. Cromwell put his million-dollar salary? Not in Teldar stock; he owns less than one percent. You own the company. That's right, you, the stockholder. And you are all being royally screwed over by these, these bureaucrats, with their luncheons, their hunting and fishing trips, their corporate jets and golden parachutes.

Cromwell : This is an outrage! You're out of line, Gekko!

Teldar Paper, Mr. Cromwell, Teldar Paper has 33 different vice presidents each earning over 200 thousand dollars a year. Now, I have spent the last two months analyzing what all these guys do, and I still can't figure it out. One thing I do know is that our paper company lost 110 million dollars last year, and I'll bet that half of that was spent in all the paperwork going back and forth between all these vice presidents. The new law of evolution in corporate America seems to be survival of the unfittest. Well, in my book you either do it right or you get eliminated. In the last seven deals that I've been involved with, there were 2.5 million stockholders who have made a pretax profit of 12 billion dollars. Thank you. I am not a destroyer of companies. I am a liberator of them! The point is, ladies and gentleman, that greed, for lack of a better word, is good. Greed is right, greed works. Greed clarifies, cuts through, and captures the essence of the evolutionary spirit. Greed, in all of its forms; greed for life, for money, for love, knowledge has marked the upward surge of mankind. And greed, you mark my words, will not only save Teldar Paper, but that other malfunctioning corporation called the USA. Thank you very much.

Source: https://www.imdb.com/title/tt0094291/relea...

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In FILM Tags GORDON GEKKO, GREED IS GOOD, TRANSCRIPT, WALL STREET, OLIVER STONE, MICHAEL DOUGLAS, TELDAR PAPER, CAPITALISM, STOCK MARKET, WALL STREET MOVIE, MOVIE
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Leonardo DiCaprio (by Terence Winter): 'There is no nobility in poverty', The Wolf of Wall Street - 2013

December 10, 2020

Release date 17 Decemnber 2013, USA

See those little black boxes? They are called telephones. I’m gonna let you in on a little secret about these telephones. They’re not gonna dial themselves! Okay? Without you, they’re just worthless hunk of plastic.

Like a loaded M16 without a trained Marine to pull the trigger. And in the case of the telephone, it’s up to each and every one of you, my highly trained Strattonites, my killers. My killers who will not take no for an answer! My fucking warriors who’ll not hang up the phone, until their client either buys or fucking dies! Let me tell you something. . I’ve been a rich man, and I’ve been poor man. And I choose rich every fucking time. Cause, At least as a rich man, when I have to face my problems, I show up in the back of a limo wearing a $2000 suit …and $40,000 gold fuckin’ watch! Now, if anyone here thinks I’m superficial or materialistic. Go get a job at fucking McDonald’s, because that’s where you fucking belong! But, before you depart this room full of winners, I want you to take a good look at the person next to you, go on. Because sometime in the not-so-distant future, you’re pullin’ up to a red light in your beat-up old fucking Pinto, and that person’s gonna pull up right alongside you in a brand new Porsche, with their beautiful wife by his side, whose got big voluptuous tits. And who will you be next to? Some disgusting wilder beast with three days of razor-stubble in a sleeveless moo-moo, crammed in next to you with a carload full of groceries from the fucking Price Club! That’s who you’re gonna be sitting next to. So, you listen to me and you listen well. Are you behind, on your credit card bills? Good. Pick up the phone and start dialing. Is your landlord ready to evict you? Good. Pick up the phone and start dialing. Does your girlfriend think you’re a fucking loser? Good. Pick up the phone and start dialing! I want you to deal with your problems, by becoming rich! All you have to do today …is pick up that phone, and speak the words that I have taught you. And I’ll make you richer than the most powerful CEO of the United States of fucking America. I want you to go out there, and I want you to RAM Steve Madden stock down your clients’ throats. Till they fucking choke on it till they choke on it and buy 100,000 shares! That’s what I want you to do. You’ll be ferocious! You’ll be relentless! You’ll be telephone fucking terrorists! Now, let’s knock this Motherfucker out of the park!

Source: https://www.youtube.com/watch?v=PQleT6BtCb...

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In FILM Tags THE WOLF OF WALL STREET, LEONARDO DICAPRIO, TRANSCRIPT, SALES, MOTVATIONAL, JORDAN BELFORT
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Jeremy Strong (by Jesse Armstrong): 'My father is a malignant presence, a bully, and a liar', Succession S2E10 - 2019

December 10, 2020

to air., 13 October 2019, USA

Good morning. I have an announcement to make...about wrongdoing at Waystar Royco in advance of the upcoming shareholder meeting. I have been asked to explain my own role in the managing of illegality at the firm and associated cover ups. And it has been suggested I would be a suitable figure to absorb the anger and concern. But...the truth is that my father is a malignant presence...a bully, and a liar...and he was fully personally aware of these events for many years and made efforts to hide and cover up. He had a twisted sense of loyalty to bad actors like Lester McClintock, and a disregard for the safety of migrant workers, non-union and union workers and for vulnerable performers and guests. My father keeps a watchful eye over every inch of his whole empire, and the notion that he would have allowed millions of dollars in settlements and compensation to be paid without his explicit approval... is utterly fanciful. I have with me, today, copies of records... that show his personal sign off. How much those of us who executed his wishes bear responsibility is for another day. But I think...this is the day his reign ends. I'll be providing the documents and can answer any questions you may have in the coming days. Thank you very much.

Source: https://www.youtube.com/watch?v=jQh0_CzjKk...

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In TELEVISION Tags SUCCESSION, JEREMY STRONG, JESSE ARMSTRONG, TRANSCRIPT
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Jon Hamm (by Matthew Weiner): 'It’s not called the wheel. It’s called the carousel', Mad Men S1E13 - 2008

December 9, 2020

to air, 18 October 2007, USA

Well, technology is a glittering lure. But, uh, there is the rare occasion when the public can be engaged on a level beyond flash, if they have a sentimental bond with the product.

My first job, I was in-house at a fur company, with this old-pro copywriter, a Greek named Teddy. Teddy told me the most important idea in advertising is new. Creates an itch. You simply put your product in there as a kind of calamine lotion. But he also talked about a deeper bond with the product. Nostalgia. It’s delicate, but potent. Sweetheart.

Teddy told me that in Greek, “nostalgia” literally means “the pain from an old wound”. It’s a twinge in your heart far more powerful than memory alone. This device isn’t a spaceship, it’s a time machine.

It goes backwards, forwards, takes us to a place where we ache to go again. It’s not called the wheel. It’s called the carousel. It lets us travel the way a child travels. Round and around, and back home again, to a place where we know we are loved.

Source: https://www.imdb.com/title/tt1105057/fullc...

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In TELEVISION Tags DON DRAPER, MAD MEN, THE CAROUSEL, NOSTALGIA, ADVERTISING PITCH, TRANSCRIPT, JON HAMM
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Robert Wisdom (by Richard Price): 'That small, wrinkled-ass paper bag allowed the corner boys to have their drink in peace', The Wire S3E02 - 2004

December 9, 2020

to air, 25 September 2004, USA

Somewhere back in the dawn of time this district had itself a civic dilemma of epic proportions. The city council had just passed a law that forbid alcoholic consumption in public places, on the streets and on the corners. But the corner is, and it was, and it always will be the poor man's lounge. It's where a man wants to be on a hot summer's night. It's cheaper than a bar, catch a nice breeze, watch the girls go by. But the law's the law and the western cops rollin' by, what were they gonna do? If they arrested every dude out there for tipping back a high life there'd be no other time for any other kind of police work. And if they looked the other way? They'd open themselves to all kinds of flaunting, all kinds of disrespect. Now, this is before my time when it happened but, somewheres back in the 50's or 60's, there was a small moment of goddamn genius by some nameless smokehound who comes out the cut-rate one day and on his way to the corner, he slips that just-bought pint of Elderberry into a paper bag. A great moment of civic compromise; that small wrinkled-ass paper bag allowed the corner boys to have their drink in peace and gave us permission to go and do police work. The kind of police work that's actually worth the effort, that's worth actually taking a bullet for. Dozerman, he got shot last night trying to buy three vials; three! There's never been a paper bag for drugs...until now.

Source: https://tvtropes.org/pmwiki/pmwiki.php/Rec...

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In TELEVISION Tags THE WIRE, ALL DUE RESPECT, ROBERT WISDOM, RICHARD PRICE, POLICE BRIEFING, TRANSCRIPT
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Edward James Olmos (by Ronald D Moore): 'So say we all!', Adama's speech at funeral service on Galactica, Battlestar Galactica - 2003

December 9, 2020

to air, 9 December 2003
Are they the lucky ones? That's what you're thinking, isn't it? We're a long way from home. We've jumped way beyond the Red Line, into uncharted space. Limited supplies, limited fuel. No allies, and now, no hope? Maybe it would have been better for us to have died quickly, back on the Colonies with our families, instead of dying out here slowly, in the emptiness of dark space. Where shall we go? What shall we do? Life here began out there. Those are the first words of the sacred scrolls, and they were told to us by the Lords of Kobol, many countless centuries ago. And they made it perfectly clear that we are not alone in this universe. Elosha, there's a 13th colony of humankind, is there not?

Elosha:

Yes. The scrolls tell us a 13th tribe left Kobol in the early days. They travelled far and made their home upon a planet called Earth, which circled a distant and unknown star.

It's not unknown. I know where it is! Earth. The most guarded secret we have. The location was only known by the senior commanders of the fleet, and we dare not share it with the public. Not while there was a Cylon threat upon us. For now we have a refuge to go to. A refuge the Cylons know nothing about. It won't be an easy journey. It'll be long, and arduous. But I promise you one thing: on the memory of those lying here before you, we shall find it, and Earth shall become our new home. So say we all!

Source: http://tdc.ds106.us/writings/commander-ada...

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In TELEVISION Tags BATTLESTAR GALACTICA, CAPTAIN ADAMA, EDWARD JAMES OLMOS, RONALD D. MOORE, TRANSCRIPT, FUNERAL ON GALACTICA, SCIENCE FICTION
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Cara Gee (by Hallie Lambert): 'Wer are The Belt. We are the strong', The Expanse, S3E9, Intransigence, Drummer's speech - 2015

December 9, 2020

to air, 6 June 2018, USA

This is your ship. This is your moment. You may think that you are scared. But you are not. That is your sharpness. That’s your power. We are Belters. Nothing in the world is foreign to us. The place we go is the place we belong. This is no different. No one has more right to this. None more prepared. Inulada go through the ring. Call it there own. But a Belter opened it. We are The Belt. We are strong. We are sharp and we don’t feel fear. This moment belongs to us. For Beltalowada!

Source: https://nicegirlstv.com/2018/06/06/4-best-...

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In TELEVISION Tags CARA GEE, THE EXPANSE, INTRANSIGENCE, MILITARY, TOUGH, TRANSCRIPT, HALLIE LAMBERT, SCIENCE FICTION
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Will Arnett (by Raphael Bob-Waksberg): '"I just got a free churro because my mom died", Bojack Horseman - 2018

December 9, 2020

to air 14 September 2018, USA

So I stopped at a Jack in the Box on the way here, and the girl behind the counter said, “Hiya! Are you having an awesome day?” Not, “How are you doing today?” No. “Are you having an awesome day?” Which is pretty… shitty, because it puts the onus on me to disagree with her, like if I’m not having an “awesome day,” suddenly I’m the negative one.

Usually when people ask how I’m doing, the real answer is I’m doing shitty, but I can’t say I’m doing shitty because I don’t even have a good reason to be doing shitty. So if I say, “I’m doing shitty,” then they say, “Why? What’s wrong?” And I have to be like, “I don’t know, all of it?” So instead, when people ask how I’m doing, I usually say, “I am doing so great.”

But when this girl at the Jack in the Box asked me if I was having an awesome day, I thought, “Well, today I’m actually allowed to feel shitty.” Today I have a good reason, so I said to her, “Well, my mom died,” and she immediately burst into tears. So now I have to comfort her, which is annoying, and meanwhile, there’s a line of people forming behind me who are all giving me these real judgy looks because I made the Jack in the Box girl cry. And she’s bawling, and she’s saying, “I’m sorry, I’m so sorry,” and I’m like, “It’s fine. It’s fine.” I mean, it’s not fine but, you know, it’s… fine. And I would like to order a Double Jack Meal, and I’ve kinda got somewhere to be, so maybe less with the crying and more with the frying, huh? [inhales] And the girl apologizes again and she offers me a free churro with my meal. And as I’m leaving, I think, “I just got a free churro because my mom died.” No one ever tells you that when your mom dies, you get a free churro.

[people murmuring]

[clears throat]

Anyway, I’m sorry, that’s not part of the… [clears throat] All right. Okay, here we go. Let’s do this. Here I am, BoJack Horseman, doing a eulogy, let’s go. Hey, piano man, can I get a, like an organ flourish? [organ plays] Nicely done. You know, I was a little worried I wouldn’t have the right accompaniment today. I guess it’s a good thing my mom was an organ donor! [rimshot plays] What happened to the organ? [horn ‘oogahs’] Okay, why just leave the comedy to the professionals? Okay? This is a funeral, sir, for my mother. Can you show a little respect? [trumpet whines] I’ll take it.

Beatrice Horseman, who was she? What was her deal? Well, she was a horse. Uh, she was born in 1938. She died in 2018. One time, she went to a parade, and one time, she smoked an entire cigarette in one long inhale. I watched her do it. Truly a remarkable woman.

[rustling]

Lived a full life, that lady. Just, all the way to the end, which is, uh, now I guess. Really makes you think, though, huh? Life, right? Goes by, stuff happens. Then you die. Okay, well that’s my time, you’ve been great! Tip your waitress! No, I’m just kidding around, there’s no waitress. But seriously, that’s all I have to say about my mother. No point beating a dead horse, right? So…

[inhales] Now what? I don’t know. Mom, you got any ideas? Anything? Mom? No? Nothing to contribute? Knock once if you’re proud of me.

Can I just say how amazing it is to be in a room with my mother, and I can just talk and talk without her telling me to shut up and make her a drink? Hey, Mom, knock once if you think I should shut up. No? You sure? I mean, I don’t want to embarrass you by making this eulogy into a me-logy, so, seriously, if you wanted me to sit down and let someone else talk, just knock. I will not be offended. No? Your funeral.

Sorry about the closed casket, by the way. She wanted an open casket, but uh, you know, she’s dead now, so who cares what she wanted? No, that sounds bad. I’m sorry. I-I think that if she could’ve seen what she looked like dead, she’d agree it’s better this way. She looked like this.

[groaning]

[mourners gasping]

Kinda like a pissed-off toy dinosaur. The coroner couldn’t get her eyes closed, so now her face is forever frozen in a mask of tremendous horror and anguish. Or as my mom called it, Tuesday! Tuesday! My mom called it Tuesday.

[woman coughs]

Hey, Mom, what did you think of that joke? You like that? You never did care for my comedy.

[clears throat]

Here’s a story. When I was a teenager, I performed a comedy routine for my high school talent show. There was this, uh, cool jacket that I wanted to wear because I thought it would make me look like Albert Brooks. For months, I saved up for this jacket. But when I finally had enough, I went to the store and it was gone. They had just sold it to someone else. So, I went home and I told my mother, and she said, “Let that be a lesson. That’s the good that comes from wanting things.” She was really good at dispensing life lessons that always seemed to circle back to everything being my fault.

But then, on the day of the talent show, my mother had a surprise for me. She had bought me the jacket. Even though she didn’t know how to say it, I know this meant that she loved me.

Now that’s a good story about my mother. It’s not true, but it’s a good story, right? I stole it from an episode of Maude I saw when I was a kid, where she talks about her father. I remember when I saw it, thinking, “That’s the kind of story I want to tell about my parents when they die.” But I don’t have any stories like that. All I know about being good, I learned from TV. And in TV, flawed characters are constantly showing people they care with these surprising grand gestures. And I think that part of me still believes that’s what love is. But in real life, the big gesture isn’t enough. You need to be consistent, you need to be dependably good. You can’t just screw everything up and then take a boat out into the ocean to save your best friend, or solve a mystery, and fly to Kansas. You need to do it every day, which is so… hard.

When you’re a kid, you convince yourself that maybe the grand gesture could be enough, that even though your parents aren’t what you need them to be over and over and over again, at any moment, they might surprise you with something… wonderful. I kept waiting for that, the proof that even though my mother was a hard woman, deep down, she loved me and cared about me and wanted me to know that I made her life a little bit brighter. Even now, I find myself waiting.

Hey, Mom, knock once if you love me and care about me and want me to know I made your life a little bit brighter.

[owl chirping]

My mother did not go gentle into that good night. She went clawing and fighting and thrashing, hence the face.

[groaning]

[mourners gasping]

If you’d seen her, I swear to God the only thing you’d be thinking about right now is that I am nailing this impression.

[woman clears her throat]

[chairs squeak]

I was in the hospital with her those last moments, and they were truly horrifying, full of nonsencial screams and cries, but there was this moment, this one instant of strange calm, where she looked in my direction and said, “I see you.” That’s the last thing she said to me. “I see you.” Not a statement of judgment or disappointment, just acceptance and the simple recognition of another person in a room. “Hello there. You are a person. And I see you.”

Let me tell you, it’s a weird thing to feel at 54 years old, that for the first time in your life your mother sees you. It’s an odd realization that that’s the thing you’ve been missing, the only thing you wanted all along, to be seen. And it doesn’t feel like a relief, to finally be seen. It feels mean, like, “Oh, it turns out that you knew what I wanted, and you waited until the very last moment to give it to me.” I was prepared for more cruelty. I was sure that she would get in one final zinger about how I let her down, and about how I was fat and stupid and too tall to be an effective Lindy-hopper. How I was needy and a burden and an embarrassment—all that I was ready for. I was not ready for “I see you.” Only my mother would be lousy enough to swipe me with a moment of connection on her way out. But maybe I’m giving her too much credit. Maybe it wasn’t about connection. Maybe it was a… maybe it was an “I see you,” like, uh, “I see you.” Like, “You might have the rest of the world fooled, but I know exactly who you are.” That’s more my mom’s speed.

Or maybe she just literally meant “I see you. You are an object that has entered my field of vision.” She was pretty out of it at the end, so maybe it’s dumb to try to attribute it to anything.

[woman sighs]

Back in the 90s, I was in a very famous TV show called Horsin’ Around.

[man coughs]

Please hold your applause. And I remember one time, a fan asked me, “Hey, um, you know that episode where the horse has to give Ethan a pep talk after Ethan finds out his crush only asked him to the dance because her friends were having a dorkiest date contest? In all the shots of the horse, you can see a paper coffee cup on the kitchen counter, but in the shots of Ethan, the coffee cup’s missing. Was that because the show was making a statement about the fluctuant subjectivity of memory and how even two people can experience the same moment in entirely different ways?” And I didn’t have the heart to be, like, “No, man, some crew guy just left their coffee cup in the shot.” So instead, I was, like… “Yeah.”

And maybe this is like that coffee cup. Maybe we’re dumb to try to pin significance onto every little thing. Maybe when someone says, “I see you,” it just means, “I see you.” Then again, it’s possible she wasn’t even talking to me because, if I’m being honest, she wasn’t really looking at me. She was looking just past me. There was nobody else in the room, so I want to think she was talking to me, but, honestly, she was so far gone at that point, who knows what she was seeing? Who were you talking to, Mom? [sighs] Not saying, huh? Staying mum? No rimshot there? God, whatever I’m paying you, it’s too much.

Maybe she saw my dad. My dad died about ten years ago of injuries he sustained during a duel. When your father dies, you ask yourself a lot of questions. Questions like, “Wait, did you say he died in a duel?” and “Who dies in a duel?” The whole thing was so stupid. Dad spent his entire life writing this book, but he couldn’t get any stores to carry it or any newspapers to review it. Finally, I guess this one newspaper thought he was pretty hilarious, because they ran a review and tore him to shreds. So my father, ever the proud Mary, decided he would not stand for this besmirchment of his honor. He claimed the critic didn’t understand what it meant to be a man, so he demanded satisfaction in the form of pistols at dawn. He wrote the paper this letter, saying anyone who didn’t like his book, he would challenge to a duel, anyone in the world. He’d even pay for airfare to San Francisco and a night in a hotel. Well, eventually this found its way to some kook in Montana, who was as batshit as he was and took him up on the offer. They met at Golden Gate Park and agreed: ten paces, then shoot. But in the middle of the ten paces, Dad turned to ask the guy if he’d actually read the book and what he thought, but, not looking where he was going, tripped over an exposed root and bashed his head on a rock.

[murmur]

I wish I’d known to go to Jack in the Box then. Maybe I could have gotten a free churro. It would’ve been nice to have something to show for being the son of Butterscotch Horseman. My darling mother gave the eulogy. My entire life I never heard her say a kind word to or about my father, but at his funeral she said, “My husband is dead, and everything is worse now.”

“My husband is dead, and everything is worse now.” I don’t know why she said that. Maybe she felt like that’s the kind of thing you’re supposed to say at a funeral. Maybe she hoped one day someone would say that about her. “My mother is dead, and everything is worse now.” Or maybe she knew that he had frittered away all her inheritance, and replaced it with crippling debt, which is a pretty shitty thing to leave your widow with. “Bad news, you lost a husband, but don’t worry, you also lost the house!” Maybe Mom knew she’d have to sell all her fancy jewelry and move into a home. Maybe that’s what she meant by “everything is worse now.” Is that what you meant, Mom?

I gotta say, I’m really carrying this double act. At least with Penn and Teller, the quiet one does card tricks. Hey, piano man, when I say something funny to my mom, how about you give me one of those rimshots?

[rimshot plays]

Yeah, but not now. When I say something funny. Like, okay. What’s the difference between my mother and a disruptive expulsion of germs? One’s a coughin’ fit and the other fits a coffin! That’s an example of a funny thing.

[rimshot plays]

Thank you. Let’s try again. Hey, Mom. What’s the difference between my mother and a bunch of Easter eggs? One gets carried in a basket, the other gets buried in a casket!

[rimshot plays]

Ready for one more? Last one. What’s the difference between a first-year lit major and my mother, Beatrice Horseman? One is decently read, and the other’s a huge bitch!

[woman gasps]

[murmurs]

Yeah, might have gone a little too far with that one. That one might’ve been a little too “my mom’s a huge bitch” for the room. I’m sorry, Mother. You’re not a huge bitch. You were a huge bitch… and now you’re dead.

[woman sighs]

You know, the first time I ever performed in front of an audience, it actually was, uh, with my mom. She used to put on these shows with her supper club in the living room and she used to make… [inhales] She used to make me sing “The Lollipop Song.”

[organ playing tune]

Those parties, they were really something. There were skits and magic acts, and ethnically insensitive vaudeville routines, and the big finale was always a dance my mother did. She had this beautiful dress that she only brought out for these parties, and she did this incredible number. It was so beautiful and sad. Dad hated the parties. He’d lock himself in the study, and bang on the walls for us to keep it down, but he always came out to see Mom dance. He’d linger in the doorway, scotch in hand, and watch in awe, as this cynical, despicable woman he married… took flight. And as a child who was completely terrified of both my parents, I was always aware that this moment of grace, it meant something. We understood each other in a way. Me and my mom and my dad, as screwed up as we all were, we did understand each other. My mother, she knew what it’s like to feel your entire life like you’re drowning, with the exception of these moments, these very rare, brief instances, in which you suddenly remember… you can swim.

[flashback]

[partygoers laughing]

[classical music playing]

But then again, mostly not. Mostly you’re drowning. She understood that, too. And she recognized that I understood it. And Dad. All three of us were drowning, and we didn’t know how to save each other, but there was an understanding that we were all drowning together. And I would like to think that that’s what she meant when we were in the hospital and she said, “I see you.”

You know, the weird thing about both your parents being dead is it means that you’re next. I mean, you know, obviously it’s not like there’s a waitlist for dying. Any one of us could get run over by a Snapchatting teen at any moment. And you would think that knowing that would make us more adventurous, and kind, and forgiving. But it makes us small, and stupid, and petty.

I actually had a near-death experience recently. A stunt went bad and I fell off a building. I’m an actor, I do my own stunts. I’m on this new show Philbert. I’m Philbert. Star of the show. It hasn’t come out yet, but it’s already getting Emmy buzz. Oh, speaking of buzz… [inhales] I’m supposed to take two of these every morning, but my days are so screwed up ‘cause of the shooting schedule, I don’t even know what morning means anymore. There’s a joke in there somewhere, about a guy who’s been to so many funerals, he doesn’t even know what mourning means anymore. Let you guys figure that one out for yourselves. [gulps]

Anyway, you know what I thought, when I was falling off the building and I went into panic mode? The last thing that my stupid brain could come up with before I died? “Won’t they be sorry.” Cool thought, brain.

[rimshot plays]

No, that wasn’t… would you just… dial it back, all right?

I don’t even know what “they” I wanted to be sorry. My mom, even before she died, could barely remember who I was. And of course, my dad’s dead. The last conversation I ever had with him was about his novel. He was so certain this book was his legacy. Maybe he thought it would vindicate him for all the shitty things he ever did in his stupid worthless life. Maybe it did, I don’t know. I never read it, because why would I give him that?

I used to be on this TV show called Horsin’ Around. Seriously, though, hold your applause.

[man coughs]

Well held. It was written by my friend Herb Kazzaz, who’s also dead now, and it starred this little girl named Sarah Lynn. And it was about these orphans. And early on, the network had a note, “Maybe don’t mention they’re orphans so much, because audiences tend to find orphans sad and not relatable.” But I never thought that the orphans were sad. I-I always thought they were lucky, because they could imagine their parents to be anything they wanted. They had something to long for.

Anyway, we did this one season finale, where Olivia’s birth mother comes to town. And she was a junkie, but she’s gotten herself cleaned up, and she wants to be in Olivia’s life again. And of course, she’s like a perfect grown-up version of Olivia, and they go to the mall together and get her ears pierced like she’s always wanted and—sorry, spoiler alert for the season six finale of Horsin’ Around, if you’re still working your way through it. Anyway, the horse tries to warn her, “Be careful, moms have a way of letting you down.” But Olivia just thinks the horse is jealous, and when the mom says she’s moving to California, Olivia decides to go with her. And the network really juiced the cliffhanger: “Is Olivia gone for good?” But of course, because it’s a TV show, she was not gone for good. Of course, because it’s a TV show, Olivia’s mother had a relapse and had to go back to rehab, so Olivia had to hitchhike all the way home, getting rides from Mr. T, Alf, and the cast of Stomp. Of course, that’s what happened. Because, what are you gonna do, just not have Olivia on the show? You can’t have happy endings in sitcoms, not really, because, if everyone’s happy, the show would be over, and above all else, the show… has to keep going. There’s always more show. And you can call Horsin’ Around dumb, or bad, or unrealistic, but there is nothing more realistic than that. You never get a happy ending, ‘cause there’s always more show.

I guess until there isn’t.

[chuckles]

My mom would hate it if she knew that I spent so much time at her funeral talking about my old TV show. Or maybe she’d think it was funny that her idiot son couldn’t even do this right. Who knows? She left no instructions for what she wanted me to say. All I know is she wanted an open casket, and her idiot son couldn’t even do that right. I’m not gonna stand up here and pretend I ever understood how to please that woman, even though so much of my life has been wasted in vain attempts to figure it out. But I keep going back to that moment in the ICU when she looked at me, and… “I-C-U.”

“I… see… you.” Jesus Christ, we were in the intensive care unit. She was just reading a sign. My mom died and all I got was this free churro.

You know the shittiest thing about all of this? Is when that stranger behind the counter gave me that free churro, that small act of kindness showed more compassion than my mother gave me her entire goddamn life. Like, how hard is it to do something nice for a person? This woman at the Jack in the Box didn’t even know me. I’m your son! All I had was you! [inhales]

I have this friend. And right around when I first met her, her dad died, and I actually went with her to the funeral. And months later, she told me that she didn’t understand why she was still upset, because she never even liked her father. It made sense to me, because I went through the same thing when my dad died. And I’m going through the same thing now. You know what it’s like? It’s like that show Becker, you know, with Ted Danson? I watched the entire run of that show, hoping that it would get better, and it never did. It had all the right pieces, but it just—it couldn’t put them together. And when it got canceled, I was really bummed out, not because I liked the show, but because I knew it could be so much better, and now it never would be. And that’s what losing a parent is like. It’s like Becker.

Suddenly, you realize you’ll never have the good relationship you wanted, and as long as they were alive, even though you’d never admit it, part of you, the stupidest goddamn part of you, was still holding on to that chance. And you didn’t even realize it until that chance went away.

My mother is dead, and everything is worse now, because now I know I will never have a mother who looks at me from across a room and says, “BoJack Horseman, I see you.” But I guess it’s good to know. It’s good to know that there is nobody looking out for me, that there never was, and there never will be. No, it’s good to know that I am the only one that I can depend on. And I know that now and it’s good. It’s good that I know that. So… it’s good my mother is dead.

[gulps, sighs]

Well. No point beating a dead horse. Beatrice Horseman was born in 1938, and she died in 2018, and I have no idea… what she wanted. Unless she just wanted what we all want… to be seen.

Is this Funeral Parlor B?



Source: https://www.youtube.com/watch?v=lDdmBKP2uv...

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In TELEVISION Tags BOJACK HORSEMAN, TRANSCRIPT, EULOGY, MOTHER, EULOGY FOR MOTHER, FREE CHURRO, WILL ARNETT
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Christopher Evan Welch (by Charlie Kaufman): 'Everything is more complicated than you think', Funeral Monologue from Synecdoche, New YorK - 2008

December 8, 2020

To air, 23 May 2008, USA

You only see a tenth of what is true. There are a million little strings attached to every choice you make. You can destroy your life every time you choose. But maybe you won't know for twenty years. And you may never ever trace it to its source. And you only get one chance to play it out. Just try and figure out your own divorce. And they say there is no fate, but there is. It's what you create. And even though the world goes on for eons and eons, you are only here for a fraction of a fraction of a second. Most of your time is spent being dead or not yet born. But while alive, you wait in vain, wasting years, for a phone call or a letter or a look from someone or something to make it all right. And it never comes or it seems to, but it doesn't really. And so you spend your time in vague regret or vaguer hope that something good will come along. Something to make you feel connected, something to make you feel whole, something to make you feel loved. And the truth is, I feel so angry, and the truth is, I feel so fucking sad, and the truth is, I've felt so fucking hurt for so fucking long and for just as long I've been pretending I'm OK, just to get along, just for, I don't know why. Maybe because no one wants to hear about my misery, because they have their own. Well, fuck everybody. Amen.

Source: https://www.imdb.com/title/tt0383028/?ref_...

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In FILM Tags CHARLIE KAUFMAN, SYNECDOCHE, SYNECDOCHE NEW YORK, TRANSCRIPT, FUNERAL MONOLOGUE
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Dolores Ibárruri: "¡No Pasarán!, They shall not pass!', Defense of 2nd Spanish Republic - 1936
Dolores Ibárruri: "¡No Pasarán!, They shall not pass!', Defense of 2nd Spanish Republic - 1936
Jimmy Reid: 'A rat race is for rats. We're not rats', Rectorial address, Glasgow University - 1972
Jimmy Reid: 'A rat race is for rats. We're not rats', Rectorial address, Glasgow University - 1972

Featured eulogies

Featured
For Geoffrey Tozer: 'I have to say we all let him down', by Paul Keating - 2009
For Geoffrey Tozer: 'I have to say we all let him down', by Paul Keating - 2009
for James Baldwin: 'Jimmy. You crowned us', by Toni Morrison - 1988
for James Baldwin: 'Jimmy. You crowned us', by Toni Morrison - 1988
for Michael Gordon: '13 days ago my Dad’s big, beautiful, generous heart suddenly stopped beating', by Scott and Sarah Gordon - 2018
for Michael Gordon: '13 days ago my Dad’s big, beautiful, generous heart suddenly stopped beating', by Scott and Sarah Gordon - 2018

Featured commencement

Featured
Tara Westover: 'Your avatar isn't real, it isn't terribly far from a lie', The Un-Instagrammable Self, Northeastern University - 2019
Tara Westover: 'Your avatar isn't real, it isn't terribly far from a lie', The Un-Instagrammable Self, Northeastern University - 2019
Tim Minchin: 'Being an artist requires massive reserves of self-belief', WAAPA - 2019
Tim Minchin: 'Being an artist requires massive reserves of self-belief', WAAPA - 2019
Atul Gawande: 'Curiosity and What Equality Really Means', UCLA Medical School - 2018
Atul Gawande: 'Curiosity and What Equality Really Means', UCLA Medical School - 2018
Abby Wambach: 'We are the wolves', Barnard College - 2018
Abby Wambach: 'We are the wolves', Barnard College - 2018
Eric Idle: 'America is 300 million people all walking in the same direction, singing 'I Did It My Way'', Whitman College - 2013
Eric Idle: 'America is 300 million people all walking in the same direction, singing 'I Did It My Way'', Whitman College - 2013
Shirley Chisholm: ;America has gone to sleep', Greenfield High School - 1983
Shirley Chisholm: ;America has gone to sleep', Greenfield High School - 1983

Featured sport

Featured
Joe Marler: 'Get back on the horse', Harlequins v Bath pre game interview - 2019
Joe Marler: 'Get back on the horse', Harlequins v Bath pre game interview - 2019
Ray Lewis : 'The greatest pain of my life is the reason I'm standing here today', 52 Cards -
Ray Lewis : 'The greatest pain of my life is the reason I'm standing here today', 52 Cards -
Mel Jones: 'If she was Bradman on the field, she was definitely Keith Miller off the field', Betty Wilson's induction into Australian Cricket Hall of Fame - 2017
Mel Jones: 'If she was Bradman on the field, she was definitely Keith Miller off the field', Betty Wilson's induction into Australian Cricket Hall of Fame - 2017
Jeff Thomson: 'It’s all those people that help you as kids', Hall of Fame - 2016
Jeff Thomson: 'It’s all those people that help you as kids', Hall of Fame - 2016

Fresh Tweets


Featured weddings

Featured
Dan Angelucci: 'The Best (Best Man) Speech of all time', for Don and Katherine - 2019
Dan Angelucci: 'The Best (Best Man) Speech of all time', for Don and Katherine - 2019
Hallerman Sisters: 'Oh sister now we have to let you gooooo!' for Caitlin & Johnny - 2015
Hallerman Sisters: 'Oh sister now we have to let you gooooo!' for Caitlin & Johnny - 2015
Korey Soderman (via Kyle): 'All our lives I have used my voice to help Korey express his thoughts, so today, like always, I will be my brother’s voice' for Kyle and Jess - 2014
Korey Soderman (via Kyle): 'All our lives I have used my voice to help Korey express his thoughts, so today, like always, I will be my brother’s voice' for Kyle and Jess - 2014

Featured Arts

Featured
Bruce Springsteen: 'They're keepers of some of the most beautiful sonic architecture in rock and roll', Induction U2 into Rock Hall of Fame - 2005
Bruce Springsteen: 'They're keepers of some of the most beautiful sonic architecture in rock and roll', Induction U2 into Rock Hall of Fame - 2005
Olivia Colman: 'Done that bit. I think I have done that bit', BAFTA acceptance, Leading Actress - 2019
Olivia Colman: 'Done that bit. I think I have done that bit', BAFTA acceptance, Leading Actress - 2019
Axel Scheffler: 'The book wasn't called 'No Room on the Broom!', Illustrator of the Year, British Book Awards - 2018
Axel Scheffler: 'The book wasn't called 'No Room on the Broom!', Illustrator of the Year, British Book Awards - 2018
Tina Fey: 'Only in comedy is an obedient white girl from the suburbs a diversity candidate', Kennedy Center Mark Twain Award -  2010
Tina Fey: 'Only in comedy is an obedient white girl from the suburbs a diversity candidate', Kennedy Center Mark Twain Award - 2010

Featured Debates

Featured
Sacha Baron Cohen: 'Just think what Goebbels might have done with Facebook', Anti Defamation League Leadership Award - 2019
Sacha Baron Cohen: 'Just think what Goebbels might have done with Facebook', Anti Defamation League Leadership Award - 2019
Greta Thunberg: 'How dare you', UN Climate Action Summit - 2019
Greta Thunberg: 'How dare you', UN Climate Action Summit - 2019
Charlie Munger: 'The Psychology of Human Misjudgment', Harvard University - 1995
Charlie Munger: 'The Psychology of Human Misjudgment', Harvard University - 1995
Lawrence O'Donnell: 'The original sin of this country is that we invaders shot and murdered our way across the land killing every Native American that we could', The Last Word, 'Dakota' - 2016
Lawrence O'Donnell: 'The original sin of this country is that we invaders shot and murdered our way across the land killing every Native American that we could', The Last Word, 'Dakota' - 2016