Nora Ephron: 'Be The Heroine of Your Life', Wellesley College - 1996

25 May, 1996, Wellesley College, Massachusetts, USA

President Walsh, trustees, faculty, friends, noble parents...and dear class of 1996, I am so proud of you. Thank you for asking me to speak to you today. I had a wonderful time trying to imagine who had been ahead of me on the list and had said no; I was positive you'd have to have gone to Martha Stewart first. And I meant to call her to see what she would have said, but I forgot. She would probably be up here telling you how to turn your lovely black robes into tents. I will try to be at least as helpful, if not quite as specific as that.

I'm very conscious of how easy it is to let people down on a day like this, because I remember my own graduation from Wellesley very, very well, I am sorry to say. The speaker was Santha Rama Rau who was a woman writer, and I was going to be a woman writer. And in fact, I had spent four years at Wellesley going to lectures by women writers hoping that I would be the beneficiary of some terrific secret—which I never was. And now here I was at graduation, under these very trees, absolutely terrified. Something was over. Something safe and protected. And something else was about to begin. I was heading off to New York and I was sure that I would live there forever and never meet anyone and end up dying one of those New York deaths where no one even notices you're missing until the smell drifts into the hallway weeks later. And I sat here thinking, "OK, Santha, this is my last chance for a really terrific secret, lay it on me," and she spoke about the need to place friendship over love of country, which I must tell you had never crossed my mind one way or the other.

I want to tell you a little bit about my class, the class of 1962. When we came to Wellesley in the fall of 1958, there was an article in the Harvard Crimson about the women's colleges, one of those stupid mean little articles full of stereotypes, like girls at Bryn Mawr wear black. We were girls then, by the way, Wellesley girls. How long ago was it? It was so long ago that while I was here, Wellesley actually threw six young women out for lesbianism. It was so long ago that we had curfews. It was so long ago that if you had a boy in your room, you had to leave the door open six inches, and if you closed the door you had to put a sock on the doorknob. In my class of, I don't know, maybe 375 young women, there were six Asians and 5 Blacks. There was a strict quota on the number of Jews. Tuition was $2,000 a year and in my junior year it was raised to $2,250 and my parents practically had a heart attack.

How long ago? If you needed an abortion, you drove to a gas station in Union, New Jersey, with $500 in cash in an envelope and you were taken, blindfolded, to a motel room and operated on without an anesthetic. On the lighter side, and as you no doubt read in the New York Times magazine, and were flabbergasted to learn, there were the posture pictures. We not only took off most of our clothes to have our posture pictures taken, we took them off without ever even thinking, this is weird, why are we doing this?—not only that, we had also had speech therapy—I was told I had a New Jersey accent I really ought to do something about, which was a shock to me since I was from Beverly Hills, California, and had never set foot in the state of New Jersey... not only that, we were required to take a course called Fundamentals, Fundies, where we actually were taught how to get in and out of the back seat of the car. Some of us were named things like Winkie. We all parted our hair in the middle. How long ago was it? It was so long ago that among the things that I honestly cannot conceive of life without, that had not yet been invented: panty hose, lattes, Advil, pasta (there was no pasta then, there was only spaghetti and macaroni)—I sit here writing this speech on a computer next to a touch tone phone with an answering machine and a Rolodex, there are several CDs on my desk, a bottle of Snapple, there are felt-tip pens and an electric pencil sharpener... well, you get the point, it was a long time ago.

Anyway, as I was saying, the Crimson had this snippy article which said that Wellesley was a school for tunicata—tunicata apparently being small fish who spend the first part of their lives frantically swimming around the ocean floor exploring their environment, and the second part of their lives just lying there breeding. It was mean and snippy, but it had the horrible ring of truth, it was one of those do-not-ask-for-whom-the-bell-tolls things, and it burned itself into our brains. Years later, at my 25th reunion, one of my classmates mentioned it, and everyone remembered what tunacata were, word for word.

My class went to college in the era when you got a masters degrees in teaching because it was "something to fall back on" in the worst case scenario, the worst case scenario being that no one married you and you actually had to go to work. As this same classmate said at our reunion, "Our education was a dress rehearsal for a life we never led." Isn't that the saddest line? We weren't meant to have futures, we were meant to marry them. We weren't' meant to have politics, or careers that mattered, or opinions, or lives; we were meant to marry them. If you wanted to be an architect, you married an architect. Non Ministrare sed Ministrari—you know the old joke, not to be ministers but to be ministers' wives.

I've written about my years at Wellesley, and I don't want to repeat myself any more than is necessary. But I do want to retell one anecdote from the piece I did about my 10th Wellesley reunion. I'll tell it a little differently for those of you who read it. Which was that, during my junior year, when I was engaged for a very short period of time, I thought I might transfer to Barnard my senior year. I went to see my class dean and she said to me, "Let me give you some advice. You've worked so hard at Wellesley, when you marry, take a year off. Devote yourself to your husband and your marriage." Of course it was stunning piece of advice to give me because I'd always intended to work after college. My mother was a career woman, and all of us, her four daughters, grew up understanding that the question, "What do you want to be when you grow up?" was as valid for girls as for boys. Take a year off being a wife. I always wondered what I was supposed to do in that year. Iron? I repeated the story for years, as proof that Wellesley wanted its graduates to be merely housewives. But I turned out to be wrong, because years later I met another Wellesley graduate who had been as hell-bent on domesticity as I had been on a career. And she had gone to the same dean with the same problem, and the dean had said to her, "Don't have children right away. Take a year to work." And so I saw that what Wellesley wanted was for us to avoid the extremes. To be instead, that thing in the middle. A lady. We were to take the fabulous education we had received here and use it to preside at dinner table or at a committee meeting, and when two people disagreed we would be intelligent enough to step in and point out the remarkable similarities between their two opposing positions. We were to spend our lives making nice.

Many of my classmates did exactly what they were supposed to when they graduated from Wellesley, and some of them, by the way, lived happily ever after. But many of them didn't. All sorts of things happened that no one expected. They needed money so they had to work. They got divorced so they had to work. They were bored witless so they had to work. The women's movement came along and made harsh value judgments about their lives—judgments that caught them by surprise, because they were doing what they were supposed to be doing, weren't they? The rules had changed, they were caught in some kind of strange time warp. They had never intended to be the heroines of their own lives, they'd intended to be—what?—First Ladies, I guess, first ladies in the lives of big men. They ended up feeling like victims. They ended up, and this is really sad, thinking that their years in college were the best years of their lives.

Why am I telling you this? It was a long time ago, right? Things have changed, haven't they? Yes, they have. But I mention it because I want to remind you of the undertow, of the specific gravity. American society has a remarkable ability to resist change, or to take whatever change has taken place and attempt to make it go away. Things are different for you than they were for us. Just the fact that you chose to come to a single-sex college makes you smarter than we were—we came because it's what you did in those days—and the college you are graduating from is a very different place. All sorts of things caused Wellesley to change, but it did change, and today it's a place that understands its obligations to women in today's world. The women's movement has made a huge difference, too, particularly for young women like you. There are women doctors and women lawyers. There are anchorwomen, although most of them are blonde. But at the same time, the pay differential between men and women has barely changed. In my business, the movie business, there are many more women directors, but it's just as hard to make a movie about women as it ever was, and look at the parts the Oscar-nominated actresses played this year: hooker, hooker, hooker, hooker, and nun. It's 1996, and you are graduating from Wellesley in the Year of the Wonderbra. The Wonderbra is not a step forward for women. Nothing that hurts that much is a step forward for women.

What I'm saying is, don't delude yourself that the powerful cultural values that wrecked the lives of so many of my classmates have vanished from the earth. Don't let the New York Times article about the brilliant success of Wellesley graduates in the business world fool you—there's still a glass ceiling. Don't let the number of women in the work force trick you—there are still lots of magazines devoted almost exclusively to making perfect casseroles and turning various things into tents.

Don't underestimate how much antagonism there is toward women and how many people wish we could turn the clock back. One of the things people always say to you if you get upset is, don't take it personally, but listen hard to what's going on and, please, I beg you, take it personally. Understand: Every attack on Hillary Clinton for not knowing her place is an attack on you. Underneath almost all those attacks are the words: Get back, get back to where you once belonged. When Elizabeth Dole pretends that she isn't serious about her career, that is an attack on you. The acquittal of O.J. Simpson is an attack on you. Any move to limit abortion rights is an attack on you—whether or not you believe in abortion. The fact that Clarence Thomas is sitting on the Supreme Court today is an attack on you.

Above all, be the heroine of your life, not the victim. Because you don't have the alibi my class had—this is one of the great achievements and mixed blessings you inherit: Unlike us, you can't say nobody told you there were other options. Your education is a dress rehearsal for a life that is yours to lead. Twenty-five years from now, you won't have as easy a time making excuses as my class did. You won't be able to blame the deans, or the culture, or anyone else: you will have no one to blame but yourselves. Whoa.

So what are you going to do? This is the season when a clutch of successful women—who have it all —give speeches to women like you and say, to be perfectly honest, you can't have it all. Maybe young women don't wonder whether they can have it all any longer, but in case any of you are wondering, of course you can have it all. What are you going to do? Everything, is my guess. It will be a little messy, but embrace the mess. It will be complicated, but rejoice in the complications. It will not be anything like what you think it will be like, but surprises are good for you. And don't be frightened: you can always change your mind. I know: I've had four careers and three husbands. And this is something else I want to tell you, one of the hundreds of things I didn't know when I was sitting here so many years ago: you are not going to be you, fixed and immutable you, forever. We have a game we play when we're waiting for tables in restaurants, where you have to write the five things that describe yourself on a piece of paper. When I was your age, I would have put: ambitious, Wellesley graduate, daughter, Democrat, single. Ten years later not one of those five things turned up on my list. I was: journalist, feminist, New Yorker, divorced, funny. Today not one of those five things turns up in my list: writer, director, mother, sister, happy. Whatever those five things are for you today, they won't make the list in ten years—not that you still won't be some of those things, but they won't be the five most important things about you. Which is one of the most delicious things available to women, and more particularly to women than to men. I think. It's slightly easier for us to shift, to change our minds, to take another path. Yogi Berra, the former New York Yankee who made a specialty of saying things that were famously maladroit, quoted himself at a recent commencement speech he gave. "When you see a fork in the road," he said, "take it." Yes, it's supposed to be a joke, but as someone said in a movie I made, don't laugh this is my life, this is the life many women lead: Two paths diverge in a wood, and we get to take them both. It's another of the nicest things about being women; we can do that. Did I say it was hard? Yes, but let me say it again so that none of you can ever say the words, nobody said it was so hard. But it's also incredibly interesting. You are so lucky to have that life as an option.

Whatever you choose, however many roads you travel, I hope that you choose not to be a lady. I hope you will find some way to break the rules and make a little trouble out there. And I also hope that you will choose to make some of that trouble on behalf of women. Thank you. Good luck. The first act of your life is over. Welcome to the best years of your lives.

Kanye West: 'I am a pop artist', Art Institute of Chicago - 2015

Listen to Kanye West's speech after receiving an honorary doctorate:

11 May, 2015, Art Institute of Chicago, IL, USA

I am a pop artist.

So my medium is public opinion. And the world is my canvas.

I'm sorry is something you can use a lot. it gives you an opportunity to give your opinion, apologise for it, and give your opinion again. People say, 'you should not be sorry for your opinions'.

George Bush has some very cool self portraits., I didn't know he was an artist.

I felt my nerves a bit, and I don't feel that feeling a lot.

The nerves of humility and modesty when being honoured. A humanisation, a reality of being recognised. And all I thought, as I sit here, shaking a bit, is I need to get rid of that feeling. I need to not be nervous.

This honour is going to make your lives easier. Two reasons. You don't have top defend me as much. And I'm going to make all of our lives easier.

And it's these Floyd Mayweather belts that are needed to prove what I've been saying my entire life..

Whether it's the co-sign of Paul McCartney grabbing me and saying, 'It's okay he doesn't bite white people.' Or the New York Times cover. Or the Time 'Most Influential' cover. And now a doctorate at the Art Institute of Chicago. When I was giving a lecture at Oxford I brought up this school because when I went on that mission to create in other spaces, a parallel film, performance, it would have been easier if I could have said I have a degree at the Art Institute of Chicago.

Thank you.

 

Source: http://www.businessinsider.com.au/the-5-mo...

Conan O'Brien: 'Success is like a bright white tuxedo', Harvard - 2000

2000, Harvard University, Boston, Massachusetts, USA

I’d like to begin by thanking the class marshals for inviting me here today. The last time I was invited to Harvard it cost me $110,000. So I was reluctant to show up. I’m going to start before I really begin by announcing my one goal this afternoon. I want to be half as funny as tomorrow’s Commencement speaker, moral philosopher and economist Amartya Sen. That’s the job. Must get more laughs than seminal wage-price theoretician. By the way, enjoy that. Bring a calculator. It’s going to be a nerd fest.

Students of the Harvard class of 2000, 15 years ago I sat where you sit now. And I thought exactly what you are now thinking. What’s going to happen to me? Will I find my place in the world? Am I really graduating a virgin? Still have 24 hours. Roommate’s mom very hot. Swear she’s checking me out. There was that Rob Lowe movie.

Being here today, on a sincere note, is very special for me. I do miss this place. I especially miss Harvard Square. Let me tell you, (you don’t know this) Harvard Square is unique. Nowhere else in the world will you find a man wearing a turban and a Red Sox jacket working in a lesbian bookstore. I’m just glad my dad’s working.

It’s particularly sweet for me to be here today because—this is true—when I graduated I wanted very badly to be a Class Day speaker. Unfortunately, my speech was rejected. So if you’ll indulge me I’d like to read a portion of that speech. This is the actual speech from 15 years ago. “Fellow students, as we sit here today listening to that classic A-ha tune which will definitely stand the test of time, I would like to make several predictions about what the future will hold. I believe that one day a simple governor from a small southern state will rise to the highest office in the land. He will lack political skill, but will lead on the sheer strength of his moral authority. I believe that justice will prevail and one day the Berlin Wall will crumble, uniting East and West Berlin forever under Communist rule. I believe that one day a high-speed network of interconnected computers will spring up worldwide, so enriching people that they will lose their interest in idle chitchat and pornography. And finally, I believe that one day I will have a television show on a major network seen by millions of people at night which I will use to reenact crimes and and help catch at-large criminals.” Then I had a section on the death of Wall Street, but you don’t need to hear about that.

The point is that although you see me as a celebrity, a member of the cultural elite, a demigod if you will, and potential husband material, I came here in the fall of 1981 and lived at Holworthy Hall as a student much like you. I was, without exaggeration—this is true—the ugliest picture in the freshman facebook. When Harvard asked me for a picture the previous summer, I thought it was for their records, so I jogged in the August heat to a passport photo office and sat for a morgue shot. To make matters worse, when the facebook came out, they put my picture right next to Catherine Oxenberg, a stunning blonde actress who was expected to join the class of ‘85, but decided to defer admission so she could join the cast of Dynasty. Folks, my photo would have looked bad on any page, but next to Catherine Oxenberg, I looked like a mackerel that had been in a car accident.

You see, in those days, I was 6 feet 4 inches tall and I weighed 150 pounds. True. Recently, I had some structural engineers run those numbers into a computer model, and according to the computer, I collapsed in 1987, killing hundreds in Taiwan.

After freshman year, I moved to Mather House. Mather House, incidentally, was designed by the same firm that built Hitler’s bunker. In fact, if Hitler had conducted the war from Mather House, he would have shot himself a year earlier. Saved us a lot of trouble.

1985 seems like a long time ago now. When I had my Class Day, you students would have been seven years old. Seven years old! You realize what that means? Back then I could have beaten any of you in a fight. And I mean really badly. Like no contest at all. If anyone here has a time machine, seriously, I will kick your seven-year-old butt right now.

A lot has happened in 15 years though. When you think about it, we come from completely different worlds. When I graduated in 1985, we watched movies starring Tom Cruise and listened to music by Madonna. I come from a time when we huddled around the TV set and watched the Cosby Show on NBC, never imagining that there would one day be a show called Cosby on CBS. In 1985 we drove cars with driver’s-side air bags. But if you had told us that one day there would be passenger-side air bags, we’d have burned you for witchcraft.

Of course I think there is some common ground between us. I remember well the great uncertainty of this day, the anxiety. Many of you are justifiably nervous about leaving the safe, comfortable world of Harvard Yard and hurling yourself headlong into the cold, harsh world of Harvard grad school, a plum job in your father’s firm, or a year abroad with a gold Amex card and then a plum job at your father’s firm. Let me assure you that the knowledge you gained here at Harvard is a precious gift that will never leave you. Take it from me, your education is yours to keep forever. Why, many of you have read the Merchant of Florence, and that will inspire you when you travel to the island of Spain. Your knowledge of that problem they had with those people in Russia, or that guy in South America—you know, the guy—will be with you for the rest of your life.

There’s also sadness today. A feeling of loss that you’re leaving Harvard forever. Let me assure you that you never really leave Harvard. The Harvard fundraising committee will be on your ass until the day you die.

This is true. I know for a fact that right now a member of the alumni association is at the Mount Auburn Cemetery shaking down the corpse of Henry Adams. They heard he has a brass toe ring and they aim to get it. These people just raised $2.5 billion and they only got through the Bs in the alumni directory. Here’s basically how it works. Your phone rings, usually after a big meal when you’re tired and most vulnerable, and a voice asks you for money. Knowing—you’ve read in the paper—that they just raised $2.5 billion, you ask, “What do you need it for?” There is a long pause, and the voice on the other end of the line says, “We don’t need it, we just want it.” (Sinister laugh).

Let me see—by your applause—who here wrote a thesis? That’s nice. A lot of hard work went into that thesis. And no one is ever going to care. I wrote a thesis—this is true, I don’t lie—“Literary Progeria in the Works of Flannery O’Connor and William Faulkner.” Let’s just say that during my discussions with Pauly Shore, it doesn’t come up much. For three years after graduation I wanted to show it to everyone, and so I kept my thesis in the glove compartment of my car, so that I could show it to a policeman in case I was pulled over.

What else can you expect in the real world? Let me tell you. As you leave these gates and re-enter society, one thing is certain. Everyone out there is going to hate you. Never tell anyone in a roadside diner that you went to Harvard. In those situations, the correct response to, “Where did you go to school?” is “School? I never had much in the way of book learnin’ and such.” And then get in your BMW and get the hell out of there. Go.

You see, kids, you’re in for a lifetime of “And you went to Harvard?” Accidentally give the wrong amount of change in a transaction, and it’s “And you went to Harvard?” Ask at the hardware store how the jumper cables work, and hear “And you went to Harvard?” Forget just once that your underwear goes inside your pants, and it’s “And you went to Harvard?” Get your head stuck in your niece’s doll house ‘cause you want to see what it’s like to be a giant, and it’s “Uncle Conan, you went to Harvard?”

So you really know what’s in store for you after Harvard, I have to tell you what happened to me after graduation. I’m going to tell it simply, I’m going to tell it honestly, because, first of all, I think my perspective may give many of you hope, and, secondly, it’s such a cool, amazing rush to be in front of 6,000 people and just talk about yourself. It’s just great. It’s so cool. And I can take my time.

You see, kids, after graduating in May, I moved to Los Angeles. I got a three-week contract at a small cable show. I got a $380-a-month apartment, a terrible dump, and I bought a 1977 Isuzu Opal, a car Isuzu only manufactured for a year because they found out that technically it’s not a car. Quick tip, graduates—no four-cylinder used vehicle should have a racing stripe.

So I worked on that show for about a year, feeling pretty good about myself, when one day they told me that they were letting me go. I was fired. I hadn’t saved any money. So I tried to get another job in television as best I could and couldn’t find one. So with nowhere else to turn-true story—I went to a temp agency and filled out a questionnaire. I made damn sure that they knew I had been to Harvard, that I had written this thesis, and that I expected the very best treatment. And so the next day I was sent to the Santa Monica branch of Wilson’s House of Suede and Leather.

When you have a Harvard degree, and you are working at Wilson’s House of Suede and Leather, you are haunted by the ghostly images of your classmates who chose graduate school. You see their faces everywhere—in coffee cups, in fish tanks, you think you’re going crazy, and they’re always laughing at you as you stack suede shirts no man in good conscience would ever wear.

I tried a lot of things during this period. Acting in corporate infomercials. Serving drinks in a nonequity theater. I even took a job entertaining at a seven year-old’s birthday party. In desperate need of work, I put together some sketches and scored a job at the fledgling Fox network as a writer and performer for a brainy show called the “Wilton North Report.” I was finally on a network and really excited. The producer told me the show was going to revolutionize television. And, in a way it did. The show was so hated and did so badly that when four weeks later news of its cancellation was announced to the Fox affiliates, they burst into spontaneous applause.

Eventually, though, I got a big break. I had submitted along with my writing partner a batch of sketches to Saturday Night Live, and after a year and a half they read it, and they gave us a two-week tryout. The two weeks turned into two seasons, and I felt, hey, this is success, I’m successful now. Successful enough to write a TV pilot for an original sitcom. When the network decided to make it, feeling good, I left Saturday Night Live.

This TV show was going to be groundbreaking. It was going to resurrect the career of TV’s Batman, Adam West. It was going to be a comedy without a laugh track or a studio audience. It was going to change all the rules. And here’s what happened. When the pilot aired, it was the second-lowest-rated television show of all time. It is actually tied with a test pattern they show up in Nova Scotia.

So I was 28 and, once again, no job. I had good writing credits in New York, but I was filled with disappointment and I had no idea what I was going to do next. And that is when the Simpsons saved my life. I got a job there and started writing episodes about Springfield getting a monorail or Homer going to college. I was finally putting my Harvard education to good use—writing dialogue for a man who is so stupid that in one episode he forgot to make his own heart beat. Life was good.

And then an insane, inexplicable opportunity came my way, a chance to audition for host of the new “Late Night” show. I took the opportunity very seriously, but at the time—I have to be honest—I had the relaxed confidence of someone who knew he had no real shot, so I couldn’t fear losing a great job that I could never hope to have. And I think that actually that attitude made the difference.

I will never forget being in the Simpsons recording basement that morning when the phone rang. It was for me. My car was blocking a firelane. But a week later I got another call and got the job. So this, finally, was undeniably it. The truly life-altering break that I had always dreamed of. And so I went to work. I gathered all my funny friends and poured all my years of comedy experience into building the show over the summer. I gathered the talent, figured out the sensibility, found Max, found Andy, found my people. We debuted on September 13, 1993, and I was really happy, really happy, with our effort. I felt like I had seized the moment, that I had put my very best foot forward.

And this was what the most respected and widely read television critic, Tom Shales, wrote in the Washington Post. “O’Brien is a living collage of annoying nervous habits. He giggles and jiggles about and fiddles with his cuffs. He has dark, beady little eyes like a rabbit. He is one of the whitest white men ever. O’Brien is a switch on the guest who won’t leave: he’s the host who should never have come. Let the Late Show with Conan O’Brien become the late Late Show, and may the host return to whence he came.” There’s more, but it gets kind of mean.

Needless to say, I took a lot of criticism, some of it deserved, some of it excessive, and, to be honest with you, it hurt like you would not believe. But I’m telling you all this for a reason. I’ve had a lot of success. I’ve had a lot of failure. I’ve looked good. I’ve looked bad. I’ve been praised. And I’ve been criticized. But my mistakes have been necessary. I’ve dwelled on my failures today because, as graduates of Harvard, your biggest liability is your need to succeed, your need to always find yourself on the sweet side of the bell curve. Success is a lot like a bright white tuxedo. You feel terrific when you get it, but then you’re desperately afraid of getting it dirty, of spoiling it.

I left the cocoon of Harvard, I left the cocoon of Saturday Night Live, I left the cocoon of the Simpsons. And each time it was bruising and tumultuous. And yet every failure was freeing, and today I’m as nostalgic for the bad as I am for the good. So that’s what I wish for all of you—the bad as well as the good. Fall down. Make a mess. Break something occasionally. Know that your mistakes are your own unique way of getting to where you need to be. And remember that the story is never over.

If you’ll indulge me for just a second, I’d like to read a little something from just this year. “Somehow, Conan O’Brien has transformed himself into the brightest star in the late-night firmament. His comedy is the gold standard, and Conan himself is not only the quickest and most inventive wit of his generation, but quite possibly the greatest host ever.”

Ladies and gentlemen, class of 2000, I wrote that this morning. As proof that when all else fails, you always have delusion. I will go now to make bigger mistakes and to embarrass this fine institution even more. But let me leave you with one last thought. If you can laugh at yourself, loud and hard, every time you fall, people will think you’re drunk. Thank you.

Source: http://www.thecrimson.com/flyby/article/20...