Elizabeth Alexander: 'We have to laugh and we have to dance', Brainpickings 'Verses for Hope', response to Trump election - 2016

11 November 2016, Washington Square Park, New York City, USA

It’s good having more than one thing going on at a time, which reminds me that there is more than one thing happening at a time right now and that something very frightening and enormous and awful happened on election day. There are a lot of people in this country and there are a lot of forces and a lot of ways of believing and going about our work, and a lot of love, and a lot of energy. And I think that we have to bear that in mind, always — there is more than one thing happening at once. So, as bad as this is, it’s not the only thing.

I’ve been thinking a lot about the philosophy that black women have offered this country over time — a very, very necessary philosophy right know, when you think about what it is to come from no position of presumed power. What does it mean to start off as three-fifths of a human being in the eyes of the law and still find your way, in a meaningful way, into the populace? What does it mean to survive when you’re not supposed to survive?

There’s a powerful philosophy there that says, “Nobody gives you shit — nobody gives it to you.” I was raised by people — my parents, my mom and dad — who said things like, “Well, you didn’t expect they were going to give you the keys to the bank?” Or, I’d be at my little struggles, and my dad has actually said to me, “Well, Harriet Tubman figured it out.” Now, that’s sometimes not really so helpful — but the point is that Harriet Tubman figured something out. And that is serious. And that is not slip. That is actually a real challenge to our resources — to say what does it mean, what can we learn, from the resilience of people who were never at the center of power, who never expected to be given power, but who nonetheless found their way to make this amazing country.

I think these lessons are going to be more and more important.

COUGHS

And Donald Trump gave me this cold. It's the worst cold I've had in my fucking life and Doanld Trump gave it to me. He sent it in waves ... i have a friend who woke up in hives, she never had a hive in her life, so I hate him for that too. [laughs]

We have to laugh and we have to dance and we have to remember to do those things that keep us alive and keep us human and keep us together — because we do have that.

Where is Lucille Clifton? Well, she’s here with us in her words.

WON’T YOU CELEBRATE WITH ME
by Lucille Clifton
won’t you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.

 

Needless to say I've been thinking a lot about the president we have right now. And what we've been given for these last eight years. And there's too much to say about that.

I have thought back to this exact time eight years ago, when I was given the honor of my life and asked to represent American poets — all my people — to compose and read a poem for [Barack Obama’s] inauguration in 2009. And I really thought, taking on that job, about the continuum of poets, living and dead, who I felt with me and around me at all times. And I really understood very profoundly what it was to be one of many vessels of the word, coming forward. And I tried to think about … my mother and father — Walt Whitman and Gwendolyn Brooks — they were with me all the time, saying, “Listen, listen: different voices, multivocality, polyphony, gumbo yaya.” Everything happening at once — right? All of that is what brought the country to that profoundly hopeful moment.

And I think it’s important to remember that in that moment, thinking always of our elders, that was a beautiful moment that so many elders never thought they’d live to see. So there are things that we don’t yet know, that we don’t think we’re going to live to see, that are also going to give us power and beauty if we hold up our own.

[…]

We hope that’s what poems do. So I want to read [“Praise Song for the Day”] … and just to say that everyone for whom this poem was meaningful, those people are still here — it’s us. We’re still here. So we just have to really, really, really dust ourselves off and do our work. That’s all there is to it — love each other, do your work. That’s all there is to it.

PRAISE SONG FOR THE DAY
Each day we go about our business,
walking past each other, catching each other’s
eyes or not, about to speak or speaking.
All about us is noise. All about us is
noise and bramble, thorn and din, each
one of our ancestors on our tongues.
Someone is stitching up a hem, darning
a hole in a uniform, patching a tire,
repairing the things in need of repair.
Someone is trying to make music somewhere,
with a pair of wooden spoons on an oil drum,
with cello, boom box, harmonica, voice.
A woman and her son wait for the bus.
A farmer considers the changing sky.
A teacher says, Take out your pencils. Begin.
We encounter each other in words, words
spiny or smooth, whispered or declaimed,
words to consider, reconsider.
We cross dirt roads and highways that mark
the will of some one and then others, who said
I need to see what’s on the other side.
I know there’s something better down the road.
We need to find a place where we are safe.
We walk into that which we cannot yet see.
Say it plain: that many have died for this day.
Sing the names of the dead who brought us here,
who laid the train tracks, raised the bridges,
picked the cotton and the lettuce, built
brick by brick the glittering edifices
they would then keep clean and work inside of.
Praise song for struggle, praise song for the day.
Praise song for every hand-lettered sign,
the figuring-it-out at kitchen tables.
Some live by love thy neighbor as thyself,
others by first do no harm or take no more
than you need. What if the mightiest word is love?
Love beyond marital, filial, national,
love that casts a widening pool of light,
love with no need to pre-empt grievance.
In today’s sharp sparkle, this winter air,
any thing can be made, any sentence begun.
On the brink, on the brim, on the cusp,
praise song for walking forward in that light.
Source: https://www.brainpickings.org/2016/11/17/e...

JK Rowling: 'I had no idea the phrase, “I’m praying for you,” could sound so intimidating', PEN America Literary Gala - 2016

16 May 2016, American Museum of Natural History, New York City, USA

Personally, I want to say thank you very, very much for this huge honor, given as it is by an organization that I have admired very deeply for many, many years. It’s also been an absolute privilege to share this stage tonight with your previous honorees. PEN’s campaigns on behalf of imprisoned writers are essential and inspirational, though it is sad to reflect how needed your defense of writers continues to be today.

Speaking personally, I have very little to complain about where my freedom of expression is concerned. I was once confronted by a Christian fundamentalist in a toy shop here in New York. I had no idea the phrase, “I’m praying for you,” could sound so intimidating. A bomb threat was once made to a store at which I was appearing. The premises were searched, nothing was found, the event went ahead. And the Harry Potter books have figured frequently on lists of the most banned. But, as such lists feature many of my favorite writers, I’ve always been very flattered to be included. Of course, I can afford to take these things lightly, protected as I am by citizenship of a liberal nation where freedom of expression is a fundamental right. My critics are at liberty to claim that I’m trying to convert children to Satanism. And I’m free to explain that I’m exploring human nature and morality, or to say, “You’re an idiot,” depending on which side of the bed I got out of that day.

However, I’ve never taken these freedoms for granted. In my 20s, I worked for Amnesty International, where I learned exactly how high a price people across the world have paid and continue to pay for the freedoms that we in the West sometimes take for granted. In fact, I worry that we may be in danger of allowing their erosion through sheer complacency. The tides of populism and nationalism currently sweeping many developed countries have been accompanied by demands that unwelcome and inconvenient voices be removed from public discourse. “Mainstream media” has become a term of abuse in some quarters. It seems that unless a commentator or television channel or a newspaper reflects exactly the complainant’s worldview it must be guilty of bias or corruption.

Intolerance of alternative viewpoints is spreading to places that make me, a moderate and a liberal, most uncomfortable. Only last year, we saw an online petition to ban Donald Trump from entry to the U.K. It garnered half a million signatures.

[An audience member claps. Rowling holds up her hand.]

Just a moment.

I find almost everything that Mr. Trump says objectionable. I consider him offensive and bigoted. But he has my full support to come to my country and be offensive and bigoted there. His freedom to speak protects my freedom to call him a bigot. His freedom guarantees mine. Unless we take that absolute position without caveats or apologies, we have set foot upon a road with only one destination. If my offended feelings can justify a travel ban on Donald Trump, I have no moral ground on which to argue that those offended by feminism or the fight for transgender rights or universal suffrage should not oppress campaigners for those causes. If you seek the removal of freedoms from an opponent simply on them grounds that they have offended you eat, you have crossed the line to stand alongside tyrants who imprison, torture and kill on exactly the same justification.

I’d like to conclude these remarks by reading you two short passages from the blog of a teenage girl. In 2009, Tal Al-Mallouhi became one of the youngest prisoners of conscience in the world when she was taken from her home by Syrian security forces. She was 18 years old. Her friends and family had to wait 11 months to find that she had been charged with giving aid to foreign country. Her parents have been permitted to see her only once. There are fears she may have been tortured. This is some of the material that was considered so dangerous and inflammatory that she remains incarcerated:

I do not like the words of the poet Rudyard Kipling: the East is East and the West is West and never the twain shall meet. Instead, I promote the union of the East and West. They meet somewhere. With rational thought, two great souls from here and from there can agree with each other, irrespective of the vast separation of time and space. Oh my brother human, if I disagree with you in thoughts, principles or beliefs, does this deny the fact that we are both human? All you and I have to do is to respect each other. Tolerate the views of your opponents coolly and patiently. While listening to them, do not think to respond before listening to all opposing opinions.

I repeat that beautiful plea for plurality, tolerance and the importance of rational discourse in the hope that Tal Al-Mallouhi will soon be freed. In the meantime, long may PEN continue to fight for her, for the freedoms on which a liberal society rests and without which no literature can have no value. Thank you very much indeed.

Source: http://on.wsj.com/25aqN0G